Rodel Tapaya’s “Cane of Kabunian, Numbered but Cannot Be Counted” eagerly brings Philippine myths to life. He portrays a giant canine from Bontoc mythology heroically rescuing humans from a catastrophic flood, symbolizing salvation and divine intervention. He draws from the oral traditions of the Ifugao and Bontoc tribes to portray the mythical origins of the mountains, anchoring the landscape in spiritual meaning and ancestral memory. He also tells a Tagalog folktale about a glutton who turns into a frog, using it as a moral warning against excess. Tapaya interlaces these diverse myths to confront pressing modern issues like environmental degradation and societal greed. By fusing folklore with social commentary, he not only preserves cultural heritage but also critiques contemporary life, proving that ancient stories still speak powerfully to today’s world.

About the Artist:

Rodel Tapaya, a renowned Filipino contemporary artist born in 1980 in Montalban, Rizal, Philippines, creates large-scale paintings and installations that intertwine Filipino folklore, pre-colonial history, and contemporary issues. He often depicts mythical creatures and labyrinthine landscapes, blending traditional narratives with modern realities in his work. Tapaya’s vibrant use of color, intricate patterns, and symbolic imagery reflect his deep connection to Filipino culture while exploring themes like environmental destruction, societal struggles, and the human condition. His innovative approach to art has earned him international recognition, with his pieces showcased in prominent museums and galleries across the world. Through his diverse media, including acrylic on canvas and dioramas, Tapaya invites viewers to reflect on the intersection of myth, memory, and modern-day challenges.